Tags: compositions, duration, eye movement, eye movements, gaze, golan levin, immediate release, interactive artworks, interactive software, observation, participant, rare opportunity, replays, sculpture, software art, solo exhibition, tapestry, time interface, video clips, visual art,
bitforms gallery for immediate release
529 West 20th Street
New York, NY 10011
Tel. (212) 366-6939
GOLAN LEVIN
new installations & sculpture
Golan Levin debuts interactive artworks at bitforms gallery in New York.
November 30, 2007 - January 12, 2008
bitforms gallery nyc
bitforms gallery is pleased to announce the first solo exhibition by artist Golan Levin. Known for his
work in audiovisual performance and interactive software art, Levin presents five intimate new works
at bitforms gallery. A rare opportunity to experience Levin's work firsthand, this exhibition will conclude
with an artist's talk at the gallery on 12 January, 2008 at 4:00 PM.
Levin's new works signal a shift in his interests toward spectatorship and the human gaze as a means
of activating visual art experiences. The performative behavior and imagery in many of the new pieces
is constructed from the artworks' own history of being observed. Ultimately envisioned as systems of
feedback, these works play with the sights and vision of an art audience and are intended to be
experiential. Responding to each viewer's unique body, face and eye movements, these works
connect individually with each participant.
Two of the pieces exhibited specifically use eye movement as a real-time interface that impacts
Levin's visual compositions. Creating a typographic tapestry of recursive observation, Eyecode records
and replays brief video clips that are articulated by the duration between two blinks. Responding to a
viewer's gaze with a variety of psychosocial behaviors, the Opto-isolator features an solitary
mechatronic blinking eye, at human scale, peering behind a black veneer. Among other forms of
feedback, this artwork looks its viewer directly in the eye; intently studies its viewer's face; looks away
coyly if it is stared at for too long; and blinks precisely one second after its viewer blinks.
A synaesthetic abstraction of the gravity within negative spaces, the Interstitial Fragment Processor
collects and drops contoured forms inside a picture plane. Soft red and blue animated objects sink
toward the gallery floor, producing a sonic improvisation of vertical decent. Temporal composition in
this work operates in response to viewers' shadows cast on the gallery walls.
Using framing that is similar to a mugshot, Reface (Portrait Sequencer) is surreal video mash-up that
focuses in on three horizontal sections of a viewer's head. Based on the popular parlor game,
"Exquisite Corpse", this work composes endless admixtures of the personalities and genetic traits of
its visitors. The kinetic portraiture in this work engages a sense of humor and narrative invention.
Ghost Pole Propagator captures and replays the "skeletons" of passersby in its environment, creating a
layered and dynamic tapestry that reflects the history and activity of a locale. Presenting a universal
communication of presence, attitude and gesture, the stick-figures this artwork generates are compact
and expressive means of representing the human form.
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529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
Golan Levin's (b. 1972, New York) work combines equal measures of the whimsical, the provocative,
and the sublime in a wide variety of online, installation and performance media. He is known for the
conception and creation of Dialtones: A Telesymphony, a concert whose sounds are wholly performed
through the carefully choreographed dialing and ringing of the audience's own mobile phones, and for
interactive information visualizations such as The Secret Lives of Numbers and The Dumpster, which
offer novel perspectives onto millions of online communications. Levin's other recent performance and
installation projects use augmented-reality technologies to create real-time, multi-person visualizations
of their participants' speech and gestures.
Levin's work has been exhibited in the 2004 Whitney Biennial; the New Museum of Contemporary Art;
the Kitchen; and the Neuberger Museum; Ars Electronica Center, Linz, Austria; The Museum of
Contemporary Art, Taipei, Taiwan; NTT InterCommunication Center (ICC), Tokyo, Japan; and the
Zentrum für Kunst und Medientechnologie (ZKM) in Karlsruhe, Germany, among other venues. Public
commissions include the Tate Modern online and artport at the Whitney Museum of American Art.
Levin's funding credits include grants from Creative Capital, The New York State Council on the Arts,
the Rockefeller MAP Fund, The Greenwall Foundation, the Langlois Foundation, and the Arts Council
of England. Levin received undergraduate and graduate degrees from the MIT Media Laboratory,
where he studied in the Aesthetics and Computation Group. Presently Levin is Associate Professor of
Electronic Time-Based Art at Carnegie Mellon University, where he also holds courtesy appointments
in the School of Computer Science and the School of Design.
Opening Reception
bitforms gallery, 6:30 pm - 8:30 pm, Friday, November 30, 2007
Artist's Talk
bitforms gallery, 4:00 pm, Saturday, January 12, 2008
Gallery Hours & Directions
Tuesday through Saturday, 11:00 am to 6:00 pm. Nearest subway is the C to 23rd St
bitforms gallery is devoted to emerging and established artists who embrace new media and
contemporary art practices.
Upcoming
bitforms gallery is will be featured December 5-9 at Pulse Miami contemporary art fair, Stand B-01, in
the Wynwood District. In New York, the next exhibition at bitforms gallery debuts new work by Björn
Schülke January 17 - February 28, 2008.
Contact Information
press@bitforms.com
www.bitforms.com
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com