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Canadian Advertising Success Stories…

Tags: aggressive campaign, answer service, bell canada, call answer, canada agency, canadian advertising, canadian congress, communication marketing, cossette communication, home voice mail, message structure, ontario m5s, optional services, optional telephone, penetration rate, public appreciation, s sales, sales efforts, sales objectives, simple message,
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                                  Canadian Advertising Success Stories                                       1995
                                                          Canadian Congress of Advertising
                                              c/o 26 Sussex Avenue, Toronto, Ontario M5S 1J5, Canada

Agency: Cossette Communication - Marketing                 Authors: M Aubin, M Grégoire, F Forget and R Péloquin


                 Bell Canada: 'Monsieur B' campaign
EXECUTIVE SUMMARY

Bell Canada has been offering its customers optional telephone services since 1972. And by the early 1990s, ten
services were available in Quebec. Bell's sales efforts were being concentrated on the three most promising:
Call Display, Call Answer and Call Waiting.

By 1994, sales objectives for Bell's optional phone services needed an aggressive campaign to increase
revenues by selling more services to more customers and, just as important, promoting the retention of these
optional services by existing subscribers.

Thus, the advertising had four objectives:

  1. Relaunch Call Answer service (home voice mail), which was the last service offered by Bell.
  2. Increase the penetration rate of Call Display service, which displays the phone number of the caller.
  3. Maintain the penetration rate of Call Waiting service, which allows you to know that a second call is
     coming in when you are already on the phone.
  4. Launch Call Display's Name Display Option an upgrade feature that displays both the name and number
     of the caller.

Communicating the useful benefits of these telephone services and stimulating subscriptions required a unique
strategy, one that could encompass the variety of products available. The nature of the services (which could be
quite abstract for many new customers) dictated a simple message structure: One service = one benefit = one
message.

The advertising campaign broke all established records in the public appreciation category. According to
Dominance (a monthly advertising poll in Quebec), Bell's campaign more than doubled the 9% appreciation and
top of mind awareness rate that Pepsi achieved in its 1991 Claude Meunier campaign. Bell's campaign set
records - in December 1993 with 23%, and nine months later in September 1994, Bell reached a 33% rate of
appreciation and awareness and, in December 1994, it broke its own record with a 45% rating.

This broad awareness translated directly into results. In 1994 the sales targets for all three service features
exceeded 1993 sales figures with increases ranging between 17% and 52%.



SITUATION ANALYSIS

In the early 1990s, Bell was offering its residential customers a wide array of optional phone services including
Call Answer, Call Display and Call Waiting.

Although a good number of Bell's customers were aware of the various services, many did not really know how
the services worked or what benefits they offered. However, since a number of studies have proven that the
subscription to services is directly related to what the customer knows about them, it became urgent to define an
approach that would answer two fundamental questions:

   l   'How does this service work?' (demonstration)
   l   'What can this service do for me?' (benefit)

The creative approach had to be simple and allow for both a clear demonstration of the service and the customer
benefit.

STRATEGY AND EXECUTION

We faced the challenge of proving the services' simplicity while recognizing that many potential customers
would see them as more complex than they actually were. There was a danger of providing too much
information and creating confusion. To avoid this conflict, we based our communication strategy on the
simplicity principle: One service = one benefit = one message.

In order to communicate the simplicity of the services to the customers, we created a character who would,
throughout the different executions, clarify the services and their benefits.

The communications had to be clear, concise and focused on the services. We did not want the background
environment to deflect customer attention from the core message. So we set our character in a bare, white
environment. The efficiency of the advertisement could then only be attributed to the content and its delivery.
Monsieur B was born.

Monsieur B is the creation of a young, and at the time unknown comedian, Benoit Briere. The first campaign
executions aired in September 1992. But it was only a year later, at the end of 1993, and in 1994 that the
campaign became a true success.

As the number of television and print ads increased and the campaign moved into its second and third years, the
character needed to evolve. Monsieur B could no longer present the services alone. With the character now
established, it was time for Monsieur B to begin interacting with others in his life. After all, the phone is a
communications tool. As a result, we came to introduce Monsieur B's social circle: his son, his mother, his
lady-love. Monsieur B and his family could take turns at presenting different service features.

In order to enhance the credibility of our demonstrations, we gave each character a personality, a place and a
function within the Monsieur B family. The adolescent son who talks on the phone for hours. The good mother
who always needs to know more about her son's private life. His love interest who surprises him every time she
calls. These situations were written so viewers could relate to the service benefits. Bell was able to develop a
very unique and personal way of promoting phone services to Quebec households. Twenty-four executions
later, the uniqueness and appeal of the campaign were elevated to 'mini-series' status. Viewers were actually
waiting and anticipating new commercials.

The efficiency of each campaign relies not only on great creative work, but also on the media mix which could
be altered and augmented depending on the service offered. 'Pizza' (Call Display) and 'Plombier' (Call Waiting)
employed a mix of television, newspapers, phone bill inserts and point-of-purchase advertising. 'Fini les
répondeurs' (Call Answer) used television, bus panels, phone bill inserts and point-of-purchase advertising.
'Mal de dents' (Name Display option) added direct marketing to the regular mix of television, phone bill inserts
and point-of-purchase displays.

THE RESULTS

The results of the 1994 Monsieur B campaign surpassed all expectations in terms of sales, penetration rate and
appreciation.

In December 1993, Bell shattered previous records set by the Pepsi Meunier campaign in the monthly
Dominance survey prepared by Info Presse Communications. The popular poll asks Quebec consumers to vote
for their most preferred and most noticed advertising. Bell has been at the top of the poll every month with rates
normally fluctuating between 23% and 27%. However, the campaign set two records, one in September (33%)
and another in December (45%) 1994. This meant, by the end of the year, that almost half of Quebeckers
spontaneously thought of Bell when asked the questions: 'Which advertising did you notice this month?' and
'Which advertising do you prefer?'
As a result of the 1994 campaign, Bell's Quebec phone services sales increased significantly. During the Call
Waiting and Call Display promotion, which took place in March 1994, sales increased 52% over 1993. The
May promotion, which featured Call Answer service, generated a 17% increase over the previous year. The
September promotion, to launch Call Display's Name Display Option, generated a 42% rise in sales. See Figure
1 and Figure 2.

CLIENT                                                 AGENCY
Bell Canada                                            Cossette Communication Marketing
Manon Aubin                Sector Manager,             Martine Grégoire        Account Director
                           Advertising                 François Forget         Creative Group Director
                                                       Richard Péloquin        Artistic Director
                                                                   © Canadian Congress of Advertising 1995

http://www.warc.com


NOTES & EXHIBITS

             FIGURE 1: PERCENTAGE OF SUBSCRIPTIONS/1 TO 4 SERVICES




                                           FIGURE 2: SALES