Tags: best practices, clearance problems, clearinghouse, copyright office, cspd, documentarian, dorm room, duke, inclusion, insurance companies, insurer, madonna, movie clips, newsreel footage, orphan works, possible solutions, s center, simpsons media, use technology, www law,
http://www.law.duke.edu/cspd/artsproject/
RIGHTS CLEARANCE? PROBLEMS POSSIBLE SOLUTIONS
Incidental Capture Fair use? Most incidental · Clarify and educate: create accurate
captures should be covered by resources about fair use for filmmakers
Documentarian filming fair use, but rights to these are · Best Practices: develop statement of best
often cleared anyway practices for filmmakers
dorm room happens to
(American University's Center for Social
capture "The Simpsons" Media is working on these ideas.)
playing on television or
Madonna on the radio
Private Gatekeepers: E&O · Alternative Institutions: create a non-
insurance companies or profit insurer or clearinghouse
distributors may require rights · Build Awareness: educate gatekeepers
clearances even though these about fair use
are fair use · Technology: distribute works through
other channels, for example via the internet
Deliberate Inclusion "Orphan works": the Comments to the Copyright Office propose
copyright holder is solutions enabling uses of orphan works:
Documentarian wishes to difficult or impossible · www.law.duke.edu/cspd/orphanworks
use newsreel footage, to find, or doesn't care · www.publicknowledge.org/issues/ow
photographs, movie clips, if you use the work · www.copyright.gov/orphan/comments/OW
music for soundtrack, etc. 0595-Glushko-Samuelson.pdf
Fair Use: uses for criticism, commentary
or other "transformative" (new and
The copyright holder valuable) purposes can be fair use
refuses permission;
· End the Permissions Arms Race: just say
clearance is too
no to excessive licensing practices (for
expensive; filmmaker has no example demanding payments for small
negotiating leverage; rights fragments, or charging exorbitant prices)
thickets are · A Licensing Scheme could ensure that
impenetrable rights holders get paid while enabling
filmmakers to use copyrighted works for
fair prices. (A panel at the 2005 Full Frame
Festival explored this idea.)
Disappearing History? Even if · Special terms or licenses for historical
rights are cleared, licenses can documentaries that take into account heavy
expire, leaving historical reliance on archival footage and
documentaries like Eyes on the importance of historical record
Prize out of circulation · Best practice codes for historical
documentaries
This work is made available under the terms of a Creative Commons Attribution, ShareAlike License
http://creativecommons.org/licenses/by-sa/2.0/