SCOTT SNIBBE …

SCOTT SNIBBE                                                                    1777 Yosemite Ave, Suite 315
                                                                                San Francisco, CA 94124
ARTIST'S CURRICULUM VITAE                                                       (415) 822-1442
May, 2007                                                                       scott@snibbe.com
                                                                                www.snibbe.com

BRIEF BIOGRAPHY:

Scott Snibbe creates immersive interactive art that evokes powerful emotional and social engagement from viewers.
His works are known for their positive social effects: fostering a sense of interdependence, promoting social
interaction among strangers, and increasing viewers' concentration. His artworks have been installed in over one
hundred art museums, performance spaces, science museums and public spaces worldwide since 1995 including the
Whitney Museum of American Art (New York); the InterCommunications Center (Tokyo); Ars Electronica
(Austria); and the Institute of Contemporary Arts (London), Science Museum (London); the Exploratorium (San
Francisco), the Phaeno Science Center (Germany); and the Cité de Science (Paris, France). He has been awarded a
variety of international prizes, including the Prix Ars Electronica and a Rockefeller New Media Fellowship. He is
currently at work on several new commissioned installations for public spaces worldwide.

Snibbe was born in 1969 in New York City. He holds Bachelor's degrees in Computer Science and Fine Art, and a
Master's in Computer Science from Brown University. Snibbe studied experimental animation at the Rhode Island
School of Design and his films have been widely shown internationally. He has taught media art and experimental
film at Brown University, The San Francisco Art Institute, the California Institute of the Arts, The Rhode Island
School of Design and UC Berkeley. Snibbe worked at Adobe Systems as a Computer Scientist where he made
substantial contributions to the special effects software Adobe After Effects and research projects at Adobe
Research. Snibbe held research positions at Interval Research where he performed basic research in haptics,
computer vision and interactive cinema. Snibbe's research is documented in a number of academic papers, and over
a dozen patents.

BORN: August 20, 1969

EDUCATION: 1992-1994         M.Sc., Computer Science, Brown University.
           1987-1991         Bachelor of Arts, Computer Science, Brown University.
           1987-1991         Bachelor of Fine Arts, Brown University.
           1989-1992         Experimental Animation, Rhode Island School of Design.

SELECTED SOLO EXHIBITIONS:

2006    Body, Space and Cinema. London Institute of Contemporary Arts. May, 2006
        Brown University. March, 2006

2005    Visceral Cinema: Chien. Telic. Los Angeles, CA. September, 2005
        Body Language. Art Interactive. Boston, MA. April, 2005
        Blow Up. Yerba Buena Center for the Arts. San Francisco, CA. January, 2005

2004    Presence/Absence. Tarble Arts Center. Eastern Illinois University. October, 2004
        Interdependence. Arizona State University. January, 2004

2003    Screen Series. Beall Center for Art & Technology. Irvine, CA. November, 2003

SELECTED GROUP EXHIBITIONS:



Artist's Curriculum Vitae, Scott Snibbe                                                        Page 1 of 9
        2007     Metalandscapes. Miró Foundation, Mallorca, Spain, October 2007
                 From Mind to Hand: Artists and Graphology. Triple Base. San Francisco, California. May, 2007.
                 Our Distance From Things. Telic Arts Exchange. Los Angeles, California. March, 2007
                 Play Innovation. Kitakyushu Innovation Gallery. Kitakyushu City, Japan. April-July, 2007


        2006     South Korea Media Art Biennial. October, 2006
                 International Symposium on Electronic Art / Zero One Festival. San Jose, California. August, 2006
                 Global Economic Forum. San Jose, California. August, 2006
                 Thread. Artspace New Haven, Connecticut. June, 2006
                 Art & Technology Zone. Tokyo Intercommunications Center. May, 2006
                 Israel Museum. Jerusalem, Israel. May, 2006

        2005     L'ombre a la portée des enfants: Ombres et lumière. Cite des sciences et de l'industrie. Paris, France.
                 October, 2005
                 Hybrid Creatures and Paradox Machines. Ars Electronica 2005
                 California Institute of the Arts. April, 2005
                 Artefact. Belgium. February, 2005
                 Tilt. Perpignan, France. February, 2005

        2004     Ars Numerica. Montbeliard, France. December, 2004
                 Reactive. Rx Gallery. San Francisco. November, 2004
                 MAIS: Exposition d'Installations Interactives. Brussels, Belgium. October, 2004
                 Art Life. The Exploratorium. San Francisco. October, 2004
                 Le Channel, scène nationale de Calais. France. September, 2004
                 Villette Numerique. La Villette. Paris, France. September, 2004
                 Institute of Modern Art. Brisbane, Australia. October, 2004
                 Biennale of Electronic Arts Perth. Fremantle, Australia. September, 2004
                 Eastern Illinois University. September, 2004
                 Social Construction. Southern Exposure. San Francisco, CA. May 2004 (curator)
                 Art Rock 2004. Brittany, France. May, 2004
                 Dreaming Butterfly: Digital Playground. Nabi Art Center. Seoul, South Korea. April ­ August, 2004
                 Contemporary Arts Services Trust. Tasmania, Australia. April, 2004
                 The Art of Digital Resistance. Version>04. Chicago, Illinois. April, 2004

        2003     Uijeongbu International Digital Art Festival. South Korea. October, 2003
                 Ars Electronica 2003. Linz, Austria. September, 2003
                 House of Tomorrow. Experimenta. Victorian Arts Centre, Australia. September 2003
                 Dialogue with Light and Shadow. Toki Messe. Nigata, Japan. April 2003
                 Reactive Art, San Francisco Media Arts Coalition, San Francisco Museum of Modern Art. January 2003

        2002     Legends of Interactivity, The Kitchen, New York City. November 2002
                 Carnivore, Eyebeam, New York City. October, 2002
                 NewFangle, GenArtSF, San Francisco. October ­ December, 2002
                 Time Share, Art Interactive, Cambridge, Massachusetts. September, 2002
                 911+1: The Perplexities of Security, Watson Institute for International Studies. Providence, RI. September,
                 2002
                 Ars Electronica 2002, NetArt 2002 exhibition. Linz, Austria. September, 2002
                 CODeDOC, Whitney Museum Artport. September, 2002
                 Arte Digital IV, Havana, Cuba. June ­ July 2002
                 Innaugural Exhibition, Shizuoka Arts Center, Tokyo, Japan. March, 2002
                 Refresh. Institute of Contemporary Arts, London. February ­ March, 2002
                 New Frontiers. Art Association Gallery, Jackson Hole, WY. January, 2002


Artist's Curriculum Vitae, Scott Snibbe                                                           Page 2 of 9
        2001     bienalle.net. Jeffrey Deitch Projects, Brooklyn, NY. November 5-7, 2001
                 Mathematica. The Exploratorium, San Francisco, California. October 6, 2001 - May 5, 2002
                 Tirana Biennale. Tirana, Albania. September 1 - October 15, 2001
                 Only The Lonely. Foro Artistico, Hanover, Germany. August 31 - September 23, 2001
                 LifeLike. New Langton Arts, San Francisco. June 27 - July 28, 2001.

        2000     Refresh: The Art of the Screen Saver. Cantor Center for the Visual Arts, Stanford University. October 12 ­
                 November 26, 2000
                 Transmediale 2000. In conjunction with the Berliner Filmfestspiele. February, 2000. Berlin, Germany.

        1999     Adding Media / Subtracting Signs. NTT Intercommunications Center (ICC). Tokyo, Japan. 22 June - 20
                 July, 1999
                 Organic Information: Work from the Aesthetics and Computation Program at the MIT Media Laboratory.
                 Art Directors Club Gallery. New York City. May 6-27, 1999
                 Interaction `99. International Academy of Media Arts and Sciences (IAMAS). Ogaki City, Gifu, Japan.
                 March 5-14, 1999

        1998     Inaugural Exhibition. Center of the Edge Gallery. The Tech Museum. San Jose, California. October 98 -
                 April 99
                 Ars Electronica 98. Cyberarts 98 exhibition. Linz, Austria. September, 1998
                 Motion Phone Urban Installation. Stuttgart Filmwinter 98. Germany. March, 1998

        1997     WRO '97. Wroclaw, Poland. March, 1997
                 Vienna Global Village `97. Vienna, Austria. April, 1997

        1996     Ars Electronica 96. Cyberarts 96 exhibition. Linz, Austria. September, 1996

        1995     SIGGRAPH 95 Interactive Communities. Los Angeles, CA. August 1995

        COMMISIONS:

        2007     "Women of Science", for Mills College. Oakland, California
                 "Social Light", for London Science Museum
                 "Fear", for Science Museum of Minnessota / California Science Center
                 "Shadow Mosaic 4x3", for Haptor-Barrett, Los Angeles, CA

        2006     "Three Drops", for The Exploratorium / National Science Foundation
                 "Cabspotting", for The Exploratorium / National Endowment for the Arts
                 "Shadow Mosaic 5x4", for Yahoo Corporation, Sunnyvale, CA

        2005     "Outward Mosaic #1", for Amelia Chenoweth
                 "Central Mosaic", for Cité de Sciences, Paris, France
                 "Blow Up", for Yerba Buena Center for the Arts. San Francisco, CA

        2004     "Overhead", for New York Hall of Science. New York City
                 "Near", for New York Hall of Science. New York City

        2003     Computerfinearts.com, Doron Golan. New York City

        2002     "Shadow", for Art Interactive. Boston, MA
                 "Fuel", for Carnivore as part of the Radical Software Group. New York City
                 "Tripolar", for CODeDOC, The Whitney Museum of American Art. New York City

        2001     "It's Out", for Tirana Biennial. Tirana, Albania

Artist's Curriculum Vitae, Scott Snibbe                                                         Page 3 of 9
        1999     "Emptiness is Form", for Refresh: The Art of the Screensaver. Stanford, California

        PERMANENT INSTALLATIONS/COLLECTIONS:

        The Franklin Institute, Philadelphia, Pennsylvania
        Whitney Museum of American Art. New York
        Tokyo Intercommunications Center
        Mills College. Oakland, California
        Capital Unity Center. Sacramento, California (in-progress)
        London Science Museum (in-progress)
        Haptor-Barrett. Los Angeles, California
        Phaeno Museum. Wolfsburg, Germany
        New York Hall of Science. New York
        Cité de Sciences, Paris, France
        Yahoo! Corporation, Sunnyvale, California
        Private collections

        SELECTED BOOKS:

        Responsive Environments. Lucy Bullivant. Victoria & Albert Press, 2006.
        Creative Code. John Maeda. Thames & Hudson. 2004.
        Aspect: The Chronicle of New Media Art. Issue 2: Artists of the West Coast. Commentary by George Fifield. 2003.
        Digital Art. Christane Paul. Thames and Hudson, 2003
        CyberArts 2003: International Compendium Prix Ars Electronica. Leopoldseder & Schöpf, ed., Springer-Verlag, 2003
        Information Arts. Stephen Wilson. MIT Press, 2001
        The Computer In the Visual Arts. Anne Morgan-Spalter. Addison-Wesley, 1999
        Cyberarts 98: International Compendium Prix Ars Electronica. Stocker & Schöpf, ed., Springer-Verlag, 1998.
        Prix Ars Electronica 96: International Compendium of the Computer Arts. Leopoldseder & Schöpf, ed. Springer-Verlag,
        1996

        SELECTED PRESS:

        Vapor Travails: Total cabbie awareness: Eloquence and error in tracking San Fran taxis. The Village Voice. April 17,
        2006.
        By Invitation Only. Jan Belson, Interior Design Magazine. May, 2006.
        Best of Boston: Year brought prolific creativity, cultivated and raw. Cate McQuaid, Boston Globe, December 30, 2005.
        Interactive works capture interplay of shadows, light. Cate McQuaid, Boston Globe, June 24, 2005.
        Cyberart combines art and computers, Rachel Rawlins, BBC News Service, May 7, 2005.
        Art That Puts You in the Picture, Like It or Not. Sarah Boxer, New York Times, April 27, 2005.
        Art Rock Soigne Son Image. Bruno Masi. Liberation. May 31, 2004
        Scott Snibbe at UC Irvine's Beall Center. Collette Chattopadhyay, Artweek, February, 2004
        Shedding a light on art: Cinematographer and artist Scott Snibbe creates art without boundaries. Roberta Carasso, Irvine
        World News, November 20, 2003.
        Getting Into the Art. Boston Phoenix. November 28, 2002
        Technology Sparks Interactive Exhibit. Boston Herald, November 24, 2002
        Secrets of Digital Creativity Revealed in Miniatures. New York Times, September 16, 2002
        It's Out, web art per la mente estetica. Neural Online. June 2002
        Who Let the Ducks Out? Net Art News. Marisa Olson. June 2002
        Hotlist. John Ippolito. Artforum. Summer 2002
        New Frontiers. Byron Clercx, Splash Magazine. Winter, 2002
        Better Living through Chemistry, San Francisco Examiner, November 8, 2001
        Screen Savers as Artists' Medium, New York Times, November 23, 2000
        Portrait of Artist as Businessman, Wired News, November 3, 2000

Artist's Curriculum Vitae, Scott Snibbe                                                        Page 4 of 9
        Ones to Watch, Interview Magazine, April 2000
        Interaction '99. NHK National News Broadcast. Tokyo, Japan. March 12, 1999
        Bored, Broken, and Beautiful. The Stranger. Seattle, WA. February 14, 1996
        Declaring Their Independence. Washington Free Press. Feb ­ March 1996

        BY THE ARTIST:

        Early Influences. Catalog Essay. Uijeongbu Digital Art Festival. South Korea, October, 2003
        Body, Screen and Shadow. San Francisco Media Arts Council (SMAC) Journal. January, 2003
        Computation and Improvisation. ICC Journal. Tokyo, Japan. November, 2002.

        GRANTS AND AWARDS:

        National Video Resources Technical Assistance Grant, 2005.
        Rockefeller/National Video Resources New Media Fellowship, 2004.
        Honorable Mention for Interactive Art. Prix Ars Electronica, 2003.
        Golden Nica, Prix Ars Electronica, 2002. (As part of the Radical Software Group's Carnivore)
        Honorable Mention for Interactive Art. Prix Ars Electronica, 1998.
        Honorable Mention. FANTOCHE Animation Festival, 1998.
        Award of Distinction for Interactive Art. Prix Ars Electronica, 1996.
        Official Selection, Stuttgart Trickfilm-Festival, 1996.
        Bronze Animation Award, New York Expo of Short Film & Video, 1995.
        Director's Citation, Black Mariah Film Festival, 1995.
        Graduate Research Fellowship. Brown University. Providence, RI. 1993, 1994.
        Regional Finalist, Student Academy Awards, 1991.
        Artists Project Grant, NEA/Rhode Island State Council on the Arts, 1992.
        Best student film award, ASIFA EAST, New York, 1990.
        Student Film Award. Stuttgart Trickfilm-Festival, 1992.
        Best Drawn Animation, U Festival of Student Film, 1991.
        Undergraduate Research Fellowship, Microsoft Corporation. Seattle, WA, 1988-90.

        FILMOGRAPHY:

        All Futures That Could Possibly Be             Video, 2 minutes, 2007.
        Just Mom and Me          Video, 6 animated segments for a documentary on single mothers, 1998.
        Lost Momentum            35mm, 6:20, Hand-drawn, narrative. 1995.
        Motion Sketch            Video, 7:00, Abstract improvised computer animation, 1994.
        Brothers                 16mm, 3:30, Hand-drawn, narrative. 1990.
        Ashes                    Video, 2:30, Computer animation, experimental. 1989.
        Milo's Flight            16mm, 2:00, Hand-drawn, narrative. 1988.

        SELECTED SCREENINGS:

        1995-2003
        San Francisco Camerawork Gallery; FANTOCHE (Switzerland); Oberhausen Festival of Short Film (Germany);
        Charlotte Film and Video Festival (North Carolina); Taos Talking Pictures (New Mexico); Seattle International
        Film Festival; Mill Valley Film Festival (California); International Trickfilm-Festival Stuttgart (Germany), Official
        Competition; Hiroshima International Animation Festival (Japan), Best of the World Program; Filmfest Dresden
        (Germany), Competition Program; Wellington Film Festival (New Zealand); Black Mariah Film Festival, Director's
        Citation.

        1990-1995
        New York Expo of Short Film & Video, Bronze Animation Award; Shanghai Animation Festival; Wellington Film
        Festival (New Zealand); Seattle International Film Festival; Holland Animation Festival; Stuttgart Trickfilm-
        Festival (Germany); Sinking Creek Film Festival (Tennesses); Athens Film Festival (Ohio); Big Muddy Film
Artist's Curriculum Vitae, Scott Snibbe                                                          Page 5 of 9
        Festival (Illinois); San Francisco Golden Gate Awards; Student Academy Awards Finalist; Black Mariah Film
        Festival, Director's Choice.

        SELECTED INVITED TALKS AND LECTURES

        Teacher Institute in Contemporary Art. Art Institute of Chicago. 2006.
        London Institute of Contemporary Art. 2006.
        Brown University. 2006.
        Chelsea Art Musuem. 2006.
        Harvestworks Interactive Media Festival. Eyebeam, New York. 2006.
        TELIC Gallery. 2005.
        University of California, Santa Cruz. 2005.
        San Francisco Art Institute. 2005.
        California Institute of the Arts. 2005.
        Stanford University. 2005.
        Yerba Beuna Center for the Arts. 2005.
        Wesleyan University. November, 2004.
        New York University. November, 2004.
        Stanford University. October, 2004.
        Nabi Art Center. Seoul, South Korea. April, 2004.
        Yerba Buena Center for the Arts. Cinematic Programming Workshop. February, 2004
        San Francisco Art Institute. January, 2004.
        Arizona State University. January, 2004.
        UC Irvine. December, 2003.
        San Francisco Art Institute. November, 2003.
        University of Oregon. Body, Space and Cinema. April, 2003.
        UC Santa Barbara. Body, Space and Cinema. February, 2003.
        Reactive Art. San Francisco Museum of Modern Art. January, 2003.
        TV Dinner. The Kitchen, New York. December, 2002.
        Collision Collective. Boston, MA. September, 2002.
        Stanford University Art Department. April, 2002.
        University of California at Berkeley. Bodies and Perception. February 2002.
        Stanford University. Haptic Control of Media. October 2001.
        Banff New Media Institute. Human Generosity Project. August 2001.
        IDEO San Francisco. Bodies Think with Light and Motors July 2001.
        The Exploratorium. July 2001.
        Banff New Media Institute. Living Architectures. September 2000.
        University of California at Berkeley. Human-Centered Computing Seminar Series. February 2000.
        Brown University. Engaging your Body with the Mouse, Screen, Motor and Room. October 1999.
        NTT Intercommunications Center (ICC). The Synesthesia of Art and Technology. June 1999.
        NYU Interactive Telecommunications Program. Dynamic Abstraction. April 1999.
        MIT Media Lab. Dynamic Abstraction. Colloquium lecture. December 1998.
        Stanford Seminar on People, Computers and Design. Dynamic Abstraction. November 1998.
        Evergreen State University. Visual Instruments and Interactive Geometry. February 1998.
        Pratt Institute. Personal Expression in the Computer Graphics Industry. Fall 1997.
        MIT Media Lab. Motion Phone. Spring 1997.
        Ars Electronica 96. Motion Phone. September 1996.
        ASIFA Northwest. Emotion in Animation & Interactive Graphics. Portland, Oregon. October 1996.
        Brown University. Storytelling with Computer Animation. Fall 1994.
        Brown University. The Evolution of Input Devices. Fall 1994.

        PROFESSIONAL EXPERIENCE:

        Visiting Artist, Wayland Seminar. Brown University. 2006.

Artist's Curriculum Vitae, Scott Snibbe                                                     Page 6 of 9
        Lecturer, Visiting Artist, San Francisco Art Institute Graduate Department, CA. 2005.
        Visiting Artist, California Institute of the Arts, Valencia, CA. 2005, 2007.
        Artist in Residence, The Exploratorium, San Francisco, CA. June-August 2004.
        Visiting Artist, University of Oregon, Eugene, OR. April 2002.
        Artist In Residence, The Art Interactive, Cambridge, MA. August-September 2002.
        Lecturer, Art Department, UC Berkeley. Summer 2002.
        Member, Research Staff, Interval Research Corporation. Palo Alto, CA, 1996-1999.
        Computer Scientist, Adobe Systems. Seattle, WA, 1994-1996.
        Research Programmer, Computer Graphics Group, Brown University. Providence, RI, 1990-92.
        Guest Lecturer, Brown University. 1989-94.
        Teaching Assistant, Rhode Island School of Design, 1990-94.

        SOCIAL AND PROFESSIONAL SERVICE:

        Advisory Board. California Institute for the Ars Center for Integrated Media. 2005-Present.
        Advisor, National Science Foundation Nanoscience Informal Science Education Network, 2006-Present.
        President, Board of Directors. Tse Chen Ling Center for Tibetan Studies. San Francisco, CA. 2003-2006.
        Capital Campaign Committee. Tse Chen Ling Center for Tibetan Studies. San Francisco, CA. 2001-2002.
        Alumni Appeal. The York Scool. Monterey, CA. 2005.

        RESEARCH PUBLICATIONS:

        Snibbe, S. Maclean, K., Shaw, R., Roderick, J., Verplank, W., Scheeff, M. Haptic Techniques for Media Control. In
        Proceedings of the 14th Annual ACM Symposium on User Interface Software and Technology (UIST 2001),
        Orlando, Florida, November 2001

        Snibbe, S. and Levin, G., Interactive Dynamic Abstraction. Proceedings of the Symposium on Nonphotorealistic
        Animation and Rendering, June 2000.

        Maclean, K. and Snibbe, S., Tagged Handles: Merging Discrete and Continuous Control. ACM CHI Proceedings
        April 2000.

        Maclean, K. and Snibbe, S., An Architecture for Haptic Control of Media. Eighth Annual Symposium on Haptic
        Interfaces For Virtual Environment And Teleoperator Systems. The Winter Annual Meeting of the ASME.
        November 1999.

        Snibbe, S., Scheeff, M. and Rahardja, K., A Layered Architecture for Lifelike Robotic Motion. Proceedings of The
        9th International Conference on Advanced Robotics ('99 ICAR), October 1999.

        Snibbe, S., Anderson, S. and Verplank, B., Springs and Constraints for Haptic Sculpting. Proceedings of the Third
        PHANToM Users Group Workshop, AI Lab Technical Report No.1643, MIT, December 1998.

        Snibbe, S. A Direct Manipulation Interface for 3D Computer Animation. Computer Graphics Forum, Proceedings of
        EUROGRAPHICS 95, pp. 271-283.

        Snibbe, S. Gestural Controls for Computer Animation. Master's Thesis. Brown University 1994.

        Sarkar, M., Snibbe, S.S., Tversky, O. and Reiss, S., Stretching the rubber sheet: A metaphor for viewing large
        layouts on small screens. Proceedings of UIST '93, ACM SIGGRAPH, November, 1993, pp. 81-92.

        Oren J. Tversky, Scott S. Snibbe and Robert Zeleznik, Cone Trees in the UGA Graphics Systems: Suggestions for a
        More Robust Visualization Tool. Brown University Technical Report CS-93-07. 1993.




Artist's Curriculum Vitae, Scott Snibbe                                                         Page 7 of 9
        Snibbe, S.S., Herndon, K.P., Robbins, D.C., Conner, D.B. and van Dam, A., Using deformations to explore 3D
        widget design. Computer Graphics (Proceedings of SIGGRAPH '92), 26(2), ACM SIGGRAPH, July, 1992, pp.
        351-352.

        Herndon, K.P., Zeleznik, R.C., Robbins, D.C., Conner, D.B., Snibbe, S.S. and van Dam, A., Interactive shadows.
        Proceedings of UIST '92, ACM SIGGRAPH, November, 1992, pp. 1-6.

        PATENTS:

        S. Snibbe, B. Faieta, W. Verplank, C. de Groat, L. Girling, A. Tomasi US7143357: System and methods for
        collaborative digital media development. Issued Nov. 28, 2006, filed Apr 4, 2001.

        J. Roderick, W. Verplank, S. Snibbe, US7089292: Interface including non-visual display for use in browsing an
        indexed collection of electronic content. Issued Aug. 8, 2006, filed Jul. 27, 2001.

        S. Snibbe, US6923079: Recording, transmission and/or playback of data representing an airflow. Issued Aug. 2,
        2005, filed Oct. 31, 2001. A method for transmitting and transforming airflow and breath data.

        J. Roderick, K. Maclean, W. Verplank, S. Snibbe, US6976215: Pushbutton user interface with functionality
        preview. Issued Dec. 13, 2005, filed Jul. 27, 2001. A method for previewing a button's behavior with tactile
        feedback. Interval Research.

        L. Girling, S. Snibbe, US6924803: Methods and systems for a character motion animation tool. Issued Aug. 2,
        2005, filed May 9, 2001. A method for real-time modification of an animated character.

        K. Maclean, G. Levin, S. Snibbe, et al., US6529183: Manual interface combining continuous and discrete
        capabilities. Issued Mar. 4, 2003, filed Sep. 13, 1999. A method for combining tangible objects and haptic control.
        Interval Research.

        R. Shaw, S.Snibbe, et al., US6525711: Haptic interface including clutch control. Issued Feb. 25, 2003, filed June
        24, 1999. An interactive method for selectively and continuously engaging a dynamic model with a haptic interface.
        Interval Research.

        S. Snibbe, K. Maclean, et al., US6496200: Flexible variation of haptic interface resolution. Issued Dec. 17, 2002,
        filed Nov. 2, 1999. An interactive method for continuously varying haptic resolution. Interval Research.

        D. Simons, S. Snibbe, US6115051: Arc-length reparameterization. Issued Sept. 5, 2000, filed Aug. 7, 1996. A
        method for numerically reparameterizing a parametric curve according to arc-length, where the new parametrization
        is analytically differentiable. Adobe Systems.

        D. Herbstman, D. Simons, S. Snibbe, US592986: Floating Keyframes. Issued July 27, 1999, filed Aug. 7, 1996. A
        method for decoupling space and time in parametric animation. Adobe Systems.

        D. Simons, S. Snibbe, D. Wilk, US5917549: Transforming images with different pixel aspect ratios. Issued June 29,
        1999, filed Aug. 7, 1996. A method for compositing material with different source aspect ratios in a digital
        composition. Adobe Systems.

        S. Snibbe, D. Wilk, D. Simons, US5872564: Controlling time in digital compositions. Issued Feb. 16, 1999, filed
        Aug. 7, 1996. A method for continuously varying playback speed in digital video and animation systems. Adobe
        Systems.

        S. Snibbe, US5872564: Defining a time-variable property in digital compositions. Issued March 23, 1999, filed
        Aug. 7, 1996. A method for two-dimensional real-time motion capture in computer animation systems. Adobe
        Systems.

Artist's Curriculum Vitae, Scott Snibbe                                                         Page 8 of 9
        Conner, D.B., Snibbe, S.S., Herndon, K.P., Robbins, D.C., Zeleznik, R.C. and van Dam, A., Three-dimensional
        widgets. Computer Graphics (Proceedings of the 1992 Symposium on Interactive 3D Graphics), 25(2), ACM
        SIGGRAPH, March, 1992, pp. 183-188.

        Zeleznik, R.C. et al., An Object-Oriented Framework for the Integration of Interactive Animation Techniques.
        SIGGRAPH 91 paper presentation videotape. Applications of the UGA system for interactive animation and
        simulation.




Artist's Curriculum Vitae, Scott Snibbe                                                       Page 9 of 9