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Statement of Senator Orrin G. Hatch Before…

Tags: bill sikes, chitty bang bang, chitty chitty bang bang, copyright infringement, creative artists, criminal acts, daschle, democrat member, false promises, inducement, inducing infringement of copyrights act, lollipops, minority leader, oliver twist, oliver twist fagin, orrin g hatch, p2p software, senate judiciary committee, senator leahy, united states senate,
Pages: 8
Language: english
Created: Wed Jun 23 12:48:48 2004
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                            Statement of Senator Orrin G. Hatch
Before the United States Senate on Introduction of the "Inducing Infringement of Copyrights
                                    Act of 2004" S. 2560
                                       June 22, 2004

        SEN. HATCH. Mr. President, I rise with my esteemed colleague and friend, Senator Leahy,
ranking Democrat Member of the Senate Judiciary Committee, to introduce the "Inducing
Infringement of Copyrights Act of 2004." This Act will confirm that creative artists can sue
corporations that profit by encouraging children, teenagers and others to commit illegal or criminal
acts of copyright infringement. Senator Leahy and I are pleased that Majority Leader Frist and
Minority Leader Daschle and Senators Graham and Boxer are co-sponsoring this important bi-
partisan legislation.

        Mr. President, it is illegal and immoral to induce or encourage children to commit crimes.
Artists realize that adults who corrupt or exploit the innocence of children are the worst type of
villains. In Oliver Twist, Fagin and Bill Sikes profited by inducing children to steal. In the film
Chitty-Chitty Bang-Bang, the leering "Child-Catcher" lured children into danger with false
promises of "free lollipops." Tragically, some corporations now seem to think that they can legally
profit by inducing children to steal ­ that they can legally lure children and others with false
promises of "free music."

        Such beliefs seem common among distributors of so-called peer-to-peer filesharing ("P2P")
software. These programs are used mostly by children and college students ­ about half of their
users are children. Users of these programs routinely violate criminal laws relating to copyright
infringement and pornography distribution. Criminal law defines "inducement" as "that which
leads or tempts to the commission of crime." Some P2P software appears to be the definition of
criminal inducement captured in computer code.

         Distributors of some P2P software admit this. The distributors of EarthStation 5 state,
"While other peer 2 peer networks like Kazaa or Imesh continue to deny building their programs for
illegal file sharing, at ES5 we not only admit why we built ES5, we actually promote P2P, endorse
file sharing, and join our users in swapping files!"

        Recently, in the Grokster case, a federal court drew similar conclusions about the intent of
other distributors of P2P software. It warned that some P2P distributors "may have intentionally
structured their businesses to avoid secondary liability for copyright infringement, while benefiting
financially from the illicit draw of their wares." In other words, many P2P distributors may think
that they can lawfully profit by inducing children to break the law and commit crimes.

       They are dead wrong. America punishes as criminals those who induce others to commit
any criminal act, including copyright infringement. The first sentence of our Criminal Code states:

       Whoever commits an offense against the United States or aids, abets, counsels,
       commands, induces, or procures its commission, is punishable as a principal....

        Indeed, it is absurd to think that our law might be otherwise. No civilized country could let
sophisticated adults profit by tempting its most vulnerable citizens ­ its children ­ to break the law.


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        I think we must understand how some corporations came to confuse child endangerment
with a legal business model. Their confusion seems to arise from court cases misinterpreting a
well-intended Supreme Court decision that tried to clarify two critical components of federal law:
the law of secondary liability and the law of copyright.

        The Supreme Court states that secondary liability is "imposed in virtually all areas of the
law." Secondary liability is universal because its logic is compelling. It does not absolve
lawbreakers of guilt. But it recognizes that we are all human: We are all more likely to break the
law if encouraged or ordered to do so. Secondary liability thus discourages lawlessness by
punishing people who manipulate others into doing the "dirty work" of breaking the law.
Secondary liability usually targets two types of persons: 1) those who induce others to break the
law, and 2) those who control others who break the law.

        Though secondary liability is nearly ubiquitous, it has almost always remained as a judge-
made, common-law doctrine ­ and for a good reason. Secondary liability prevents the use of
indirect means to achieve illegal ends. Consequently, the scope of secondary liability must be
flexible ­ otherwise, it would just instruct wrong-doers on how to legally encourage or manipulate
others into breaking the law. The common-law judicial process is ideally suited to evolve flexible
secondary-liability rules from the results of many individual cases.

        As a result, Congress rarely codifies secondary liability. It has codified secondary liability
to narrow it, as in the Patent Act. Congress has codified secondary liability in the Criminal Code to
ensure that the narrow construction given criminal statutes would not foreclose secondary liability.
In the Digital Millennium Copyright Act, Congress codified a complex balance between opposed
interests that expanded one type of secondary liability and narrowed another.

         Congress has always assumed that infringers could readily induce consumers to accept
infringing copies of works. It thus created "a potent arsenal of remedies against an infringer...."
But secondary liability often arises if a third party can be ordered or induced to make the infringing
copies. Consequently, only after copying devices became available to people who might be induced
to infringe did questions about secondary liability for infringement become pressing.

        In 1984, these questions reached the Supreme Court in Sony Corp. v. Universal City Studios,
Inc. Sony held that the makers of the Betamax VCR could not be held secondarily liable in a civil
suit brought by copyright holders ­ even though some consumers would use VCRs to make
infringing copies of copyrighted TV broadcasts.

        Sony also created a broader limitation on secondary liability by importing a limitation that
that Congress had codified only in the Patent Act; this was the substantial-noninfringing-use rule,
also called the "staple article of commerce" doctrine. Sony intended this rule to strike, as between
creators of works and copying equipment, the same "balance" that it had struck under the Patent Act
between the rights of patent holder and makers of staple products.

        Under the Patent Act, the substantial-noninfringing-use rule bars secondary liability for
selling a "staple" product that has a "substantial noninfringing use" ­ even if that staple could also
be used as a component in an infringing copy of a patented invention. This rule protects makers of
staples without changing the nature of secondary liability. In particular, it does not immunize bad
actors who intend to distribute "patent-infringement kits." Even in the rare case of a novel

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invention that consists only of "staple" components, an "infringement kit" must bundle components
and include assembly instructions. Neither the bundle nor the instructions will likely have a
"substantial noninfringing use."

        Sony intended this rule to strike the same admirable "balance" under the Copyright Act.
Unfortunately, Sony also proposed that if this rule proved problematic, Congress should alter it on a
technology-by-technology basis. This proposal was flawed: In 1976, Congress redrafted the
Copyright Act to avoid the need to re-adjust copyrights on a technology-by-technology basis
because legislation could no longer keep pace with technological change. Returning to this
impractical technology-based approach would create an endless procession of "tech-mandate" laws
that discriminate between technologies Congress deems "good" or "bad." But technologies are
rarely inherently either "good" or "bad." Most can be used for either purpose; the effect depends on
details of implementation impossible to capture ­ or predict ­ in prospective legislation.

       Of course, the dysfunctional corrective mechanism that Sony proposed would have become
problematic only if the Sony limitation was misunderstood or misapplied by lower courts.
Unfortunately, that has now happened.

        In cases like Napster and Grokster, lower courts misapplied the substantial-non-infringing-
use limitation. These courts forgot about "balance" and held that this limitation radically alters
secondary liability. In effect, these cases retained secondary liability's control prong but collapsed
its inducement prong. The results of these cases prove this point: Napster imposed liability upon a
distributor of copying devices who controlled infringing users; Grokster did not impose liability
upon distributors who appeared to induce and profit from users' infringement.

         A secondary-liability rule that punishes control and immunizes inducement is a public-
policy disaster. It seems to permit the distribution of "piracy machines" designed to make
infringement easy, tempting, and automatic. Even Harvard's Berkman Center for Internet and
Society suggests that this is happening. The Center warns that "it can be extremely difficult for a
non-expert computer user to shut down" the viral redistribution that can otherwise automatically
make the user an international distributor of infringing works. The Center notes that the
"complexity of KaZaA's installation and disabling functions" may leave many users unaware that
they have become a contributor to global, for-profit copyright piracy. Unfortunately, "piracy
machines" designed to mislead their users are just one of the perverse effects of a secondary-
liability rule that punishes control and immunizes inducement.

       Perhaps the least perverse of these effects has been years of conflict between the content and
technology industries. Content creators sought the tech-mandate "corrections" that Sony proposed.
Technology industries opposed such laws because they too easily foreclose innocent or unforeseen
applications. P2P software illustrates the problem: Today, most P2P software functions like
Earthstation 5's "piracy machine." Yet all agree that non-piracy-adapted implementations of P2P
could have legitimate and beneficial uses.

        A rule that punishes only control also produces absurd results. Secondary liability should
focus on intent to use indirect means to achieve illegal ends. A rule that punishes only control
degenerates into inane debate about which indirect means was used. Thus Napster and Grokster are
regulated differently ­ though they function similarly from the perspective of the user, the
distributor, or the copyright holder.

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        A rule that punishes only control also acts as a "tech-mandate" law: It mandates the use of
technologies that avoid "control" ­ regardless of whether they are suited for a particular task.
Napster was punished for processing search requests efficiently on a centralized search index that it
controlled. Grokster escaped by processing search requests less efficiently on a decentralized
search index that it did not control. Rewarding inefficiency makes little sense.

        A secondary-liability rule that punishes only control also punishes consumers: It encourages
designers to avoid "control" by shifting risks onto consumers. For example, Napster incurred
billion-dollar liability because it controlled computers housing a search index that located infringing
files. Programs like Kazaa avoid Napster's "control" by moving their search indices onto
computers owned by unsuspecting consumers. Consumers were never warned about the risks of
housing these indices. As a result, many consumers, universities, and businesses now control
computers that house "mini-Napsters" ­ parts of a search index much like the one that destroyed
Napster. These indices could still impose devastating liability upon anyone who "controls" a
computer housing them. A secondary-liability rule that punishes only control thus rewards Kazaa
for shifting huge risks onto unsuspecting consumers, universities and businesses.

       And search indices are just one of the risks that designers of P2P software seem to impose
upon their young users to avoid control. For example, the designers of most filesharing software
choose to lack the ability to remove or block access to files known to contain viruses, child
pornography or pornography mislabeled to be appealing to children. This ability could create
"control" and trigger liability. Aiding distributors of viruses and pornography may be just an
unfortunate side effect of avoiding control while inducing infringement.

        A secondary-liability rule that immunizes inducement also encourages attempts to conceal
risks from consumers: It is easier to induce people to take risks if they are unsure whether they are
incurring a risk or its severity. The interfaces of most P2P software provide no warnings about the
severe consequences of succumbing to the constant temptation of infringement.

        Another risk to users of P2P software arises when pornography combines with the "viral
redistribution" that thwarts removal of infringing copies of works. Most filesharing networks are
awash in pornography, much of it mislabeled, obscene, illegal child pornography, or harmful to
minors. Anyone risks criminal prosecution if they distribute pornography accessible to minors over
these child-dominated networks. As a result, one P2P distributor who does distribute "adult"
content demands that it be protected by access controls. But every adult who uses this distributor's
software as intended to download one of millions of unprotected pornographic files automatically
makes that pornography available for re-distribution to millions of children. This distributor has sat
silently ­ knowing that its software exposes millions of its users to risks of criminal prosecution that
the distributor cannot be paid to endure.

        Perhaps the worst effect of punishing control and rewarding inducement is that it achieves
precisely what Sony sought to avoid: It leaves copyright holders with an enforcement remedy that is
"merely symbolic": It seems real, but it is illusory.

         In theory, a rule that immunizes inducement still permits enforcement against those induced
to infringe. At first, this remedy seems viable because copyrights have traditionally been enforced
in lawsuits against direct infringers who actually make infringing copies of works.


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       But a fallacy lurks here: The "direct infringers" at issue are not the traditional targets for
copyright enforcement. In fact, they are children and consumers: They are the hundreds of millions
of Americans ­ toddlers to seniors ­ who use and enjoy the creative works that copyrights have
helped create.

        There is no precedent for shifting copyright enforcement toward the end-users of works. For
nearly 200 years, copyright law has been nearly invisible to the millions who used and enjoyed
creative works. Copyright law was invisible to consumers because the law gave creators and
distributors mutual incentives to negotiate the agreements that ensured that works reached
consumers in forms that were safe to use in foreseeable ways. Now, those incentives are collapsing.
As a result, artists must now waive their rights or sue consumers ­ their fans.

        Worse yet, artists must sue their fans for the sin of misusing devices designed to be easy and
tempting to misuse. That is unfair: When inducement is the disease, infringement can be seen as
just a symptom. Yet artists must ignore inducers who profit by chanting, "Hey, kids, infringement
is cool, and we will help you get away with it." Instead, artists can only sue kids who succumb to
this temptation. They must leave Fagin to his work ­ and sue Oliver Twist.

         This sue-Oliver "remedy" is a debacle. For example, immunizing inducement ensures that
artists will have to sue their fans: Inducers will have both the incentive and the means to thwart less
extreme measures, like educational campaigns. For example, RIAA tried to avoid lawsuits against
filesharers by sending educational instant messages to infringers. Kazaa, for "privacy" reasons,
disabled instant messaging by default in the next version of its software. Lawsuits then followed.

        And imagine the poor parent who tries to tell a teenager that free downloading of
copyrighted music is illegal. The teenager, confused because "everyone is doing it," consults a
leading technology-news site promising a "trusted source of information for millions of technology
consumers." There, the teenager finds a P2P distributor promoting "Morpheus 4.0, the only
American filesharing software ruled legal by a U.S. federal court." This statement is false:
Grokster did not rule Morpheus "legal"; in fact, the case only confirmed that downloading
copyrighted works is illegal. Below this misinformation, the teenager will find an independent
editorial review rating Morpheus 4.0 as a "Recommended" download and "an excellent choice" for
those seeking "the latest and greatest." Who will the teenager believe?

         Worse yet, if artists must sue only the induced, they just feed the contempt for copyrights
that inducers breed. Inducers know that people induced to break a law become that law's enemies:
Once you break a law, you must either admit wrongdoing or rationalize your conduct.
Rationalization is often so easy. You can blame the law: Copyright is a stupid law needlessly
enshrined in the Constitution by naives like James Madison. You can blame the victim: Some rock
stars still make money; I do not like the "business model" of the record labels. You can blame the
randomness of enforcement: Everyone else was doing it, so why not me? Anyone who has talked
to young people about filesharing has heard such rationalizations time and again.

        And forcing artists to ignore inducers and sue the induced locks artists into a war of attrition
that they are unlikely to win. If you imagine inducement as a bush, this "remedy" forces artists to
spend their money to sever each leaf ­ while the inducer makes money by watering the root. Artists
may not be able to sustain this unending battle.


                                                   5
         This may let inducers attempt an extortionate form of "outsourcing." Inducers can increase
or decrease their devices' propensity to encourage piracy. Inducers can thus tell American artists
that if the artists pay the inducers to become licensed distributors of their works, perhaps fewer bad
things will happen. Implicitly, if artists do not pay, perhaps more bad things will happen. Were
artists to succumb to such tactics, jobs and revenues created by the demand for American creative
works would go overseas to some unsavory locales.

        Worst of all, inducers will inevitably target children. Children would be easily induced to
violate complex laws like the Copyright Act. Any child is a terrible enforcement target. And
because most adults never induce children to break laws, children induced to infringe copyrights
would not even be "bad kids." Indeed, they would probably be smart, mostly law-abiding young
people with bright futures. Innocent, mostly law-abiding children make the worst enforcement
targets ­ and thus the best "human shields" to protect an inducer's business model.

         This threat to children is real. Today, artists are suing high-volume filesharers who cannot
be identified until late in the process. One filesharer sued for violating federal law over 800 times
turned out to be a 12-year-old female honor student. This otherwise law-abiding young girl and her
family then faced ruin by the girl's favorite artists. The public knew that something was wrong, and
it was outraged. So the people who gave that girl an easily misused toy ­ and profited from her
misuse of it ­ exploited public outrage with crocodile tears about the tactics of "Big Music." And
then, I imagine, they laughed all the way to the bank.

        The Supreme Court could not have intended to force artists to sue children in order to reduce
the profits that adults can derive by encouraging children to break the law. No one would intend
that. Yet it seems to be happening.

         These are the inevitable results of a secondary-liability rule that immunizes inducement.
This "rule" has created the largest global piracy rings in history. These rings now create billions of
infringing copies of works, and reap millions in profits for leaders who insulate themselves from
direct involvement in crime by inducing children and students to "do the dirty work" of committing
illegal or criminal acts. These rings then thwart deterrence and condemn attempts to enforce the
law. These rings may now use profits derived from rampant criminality to extort their way into the
legal Internet distribution market ­ a market critical to the future of our artists and children.

         This must stop ­ and stop now. Artists have tried: They targeted for-profit inducers. But
artists were thwarted by a court ruling that held, in effect, that although artists can sue exploited
children and families into bankruptcy, courts need "additional legislative guidance" to decide
whether artists can, instead, sue the corporations that profit by inducing children to break the law. I
find this assertion wholly inconsistent with the intent of both Congress and the Supreme Court. But
until this fundamentally flawed ruling is overruled by legislation or higher courts, artists cannot
hold inducers liable for their actions.

        Fortunately, Congress has charged the Department of Justice to enforce the Criminal Code.
In the Criminal Code, Congress made it a federal crime to willfully infringe copyrights or to
distribute obscene pornography or child pornography. Congress also made it a crime to induce
anyone ­ child or adult ­ to commit any federal crime.




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        Indeed, Congress codified many forms of criminal secondary liability in the Criminal Code.
I have already quoted its first sentence. Here is its second: "Whoever willfully causes an act to be
done which if directly performed by him or another would be an offense against the United States,
is punishable as a principal." One court has said that this ensures that "[a] crime may be performed
through an innocent dupe, with the essential element of criminal intent residing in another person."
Not coincidentally, some federal prosecutors worry that P2P software makes infringement so
tempting, easy and automatic that many of its users will lack criminal intent. Perhaps ­ but their
relative innocence will not protect their inducers.

       The Criminal Code also codifies other forms of secondary liability, like this one:

       If two or more persons conspire to injure, oppress, threaten any person in any State
       ... in the free exercise or enjoyment of any right or privilege secured to him by the
       Constitution or the laws of the United States, .... [t]hey shall be fined under this title
       or imprisoned not more than ten years, or both....

        These examples of laws imposing secondary criminal liability have something in common:
Congress codified no exceptions for "substantial non-criminal uses." The message is clear: Those
who induce others to commit crimes cannot avoid prison by showing that some of them resisted. I
will work with my colleagues in Congress to ensure that the Department of Justice enforces the
federal laws that prevent anyone from inducing violations of any federal law by our citizens, our
students, or our children.

         Congress, too, must do its part by enacting the Inducing Infringement of Copyrights Act, S.
2560. This bill will protect American artists, children and taxpayers by restoring the privately
funded civil remedy crippled by the Grokster ruling. Congress must act: A federal court has held
that artists can only enforce their rights by suing exploited children and students pending
"additional legislative guidance" about whether artists can, instead, sue the corporations that profit
by inducing children to break laws and commit crimes. Silence could be misinterpreted as support
for those who profit by corrupting and endangering others. This bill will restore the tried, privately
funded civil enforcement actions long used to enforce copyrights.

        This bill will also preserve the Sony ruling without reversing, abrogating or limiting it. The
Inducement Act will simply import and adapt the Patent Act's concept of "active inducement" in
order to cover cases of intentional inducement that were explicitly not at issue in Sony. The
Inducement Act also preserves the Section 512 safe harbors for Internet service providers.

        The bill also contains a savings clause to ensure that it provides the "guidance" courts have
requested ­ not an iron-clad rule of decision for all possible future cases. This flexibility is critical
because just as infringement cases are fact specific, so should inducement cases center on the facts
of a given case, with courts endowed with the flexibility to impose just results. This bill does not
purport to resolve or affect existing disagreements about when copies made and used within an
individual's home environment are permissible and when they are infringing.

        Rather, this bill is about is the intentional inducement of global distribution of billions of
infringing copies of works at the prodding and instigation of sophisticated corporations that appear
to want to profit from piracy, know better than to break the law themselves, and try to shield



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themselves from secondary liability by inducing others to infringe and then disclaiming control over
those individuals.

        I also want to thank everyone who has worked with us to craft a bill that addresses this
serious threat to children and copyrights without unduly burdening companies that engage in lawful
commerce in the wide range of devices and programs that can copy digital files. As Sony illustrates,
clear knowledge that a copying device can be used to infringe does not provide evidence of intent to
induce infringement. It was critical to find a way to narrowly identify the rare bad actors without
implicating the vast majority of companies that serve both consumers and copyright-holders by
providing digital copying devices ­ even though these devices, like all devices, can be misused for
unlawful purposes. In particular, I would like to thank the Business Software Alliance for its
invaluable assistance in crafting a bill that protects existing legitimate technologies and future
innovation in all technologies ­ including peer-to-peer networking.

         Senator Leahy and I look forward to working with all affected parties to enact this bill and
restore the balance and private enforcement that Sony envisioned. But until Congress can enact the
Inducing Infringement of Copyrights Act, the duty and authority to stop inducement that targets
children and students resides in the Department of Justice that Congress has charged to protect
artists, commerce, citizens and children. The Department must act now to clarify some simple
facts: American has never legalized the "business model" of Fagin and Bill Sykes. Modern Child-
Catchers cannot lawfully profit by luring children into crime with false promises of "free music."

      Mr. President, I urge all of my colleagues to support S. 2560, the Inducing Infringement of
Copyrights Act.




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